Berenice Abbott would not agree to have her life story told on film. And many people had asked because Abbott’s was a life worth filming. She had left New York City, an expatriate, and became a photographer of artists in Paris during the 1920s. In… Read More
Comments for: New York City, 1934 > From the shooter’s side of the camera
New York City, 1934 > From the shooter’s side of the camera
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New York City, 1934 > From the shooter’s side of the camera